| Artist | Metroschifter |
|---|---|
| Album | Capsule (+ Acoustic Split) |
| Year | 1994 |
| Album DR | 12 |
| Min. track DR | 07 |
| Max. track DR | 18 |
| Track DR |
10
13
13
13
13
13
13
13
12
12
14
13
13
13
13
14
07
07
11
13
11
13
13
09
10
13
12
13
13
12
13
11
13
15
12
14
12
13
12
13
09
17
13
13
13
13
13
14
13
13
13
13
13
11
09
13
17
12
13
11
09
12
12
10
10
08
12
12
15
14
16
13
13
14
12
12
11
09
09
11
13
11
09
18
15
09
11
14
12
14
15
11
13
12
12
14
12
16
|
| Codec | Uncompressed PCM (WAV) |
| Source | CD |
| Label | Conversion Records/ Slamdek |
| Label code | |
| Catalog number | CR-21 |
| Bar code | No barcode |
| Country | USA |
| Comment | Redbook disc -> EAC/WAV... CD is split into 99 (!) tracks, while no one is really sure why, I think it's because Scott Ritcher has a weird sense of humor and the disc was released at a time when burning CDs may have meant always using TAO (track-at-once). This would have meant a burned copy had 99 three-second gaps. |
| Log file | ---------------------------------------------------------------------------------------------- Analyzed folder: C:\Users\oopap\Desktop\Extracted WAV\metroschifter capsule\ ---------------------------------------------------------------------------------------------- DR Peak RMS Filename ---------------------------------------------------------------------------------------------- DR10 -9.26 dB -22.30 dB 01. Overlap.wav DR13 -1.22 dB -15.65 dB 02. Overlap (2).wav DR13 -0.87 dB -15.55 dB 03. Overlap (3).wav DR13 -1.19 dB -15.00 dB 04. Overlap (4).wav DR13 -0.77 dB -14.89 dB 05. Overlap (5).wav DR13 -0.60 dB -15.47 dB 06. Overlap (6).wav DR13 -0.86 dB -16.46 dB 07. Overlap (7).wav DR13 -1.61 dB -16.19 dB 08. Marker.wav DR12 -1.73 dB -14.96 dB 09. Marker (2).wav DR12 -2.36 dB -15.43 dB 10. Marker (3).wav DR14 -2.72 dB -17.71 dB 11. Marker (4).wav DR13 -0.68 dB -15.97 dB 12. Marker (5).wav DR13 -0.66 dB -16.12 dB 13. Marker (6).wav DR13 -0.78 dB -14.73 dB 15. Flat (2).wav DR13 -3.04 dB -17.15 dB 16. Flat (3).wav DR14 -0.64 dB -15.98 dB 17. Flat (4).wav DR7 -17.19 dB -27.51 dB 18. Drive.wav DR7 -13.78 dB -25.12 dB 19. Drive (2).wav DR11 -1.37 dB -14.76 dB 20. Drive (3).wav DR13 -0.53 dB -14.68 dB 21. Drive (4).wav DR11 -1.70 dB -15.19 dB 22. Drive (5).wav DR13 -0.60 dB -14.49 dB 23. Drive (6).wav DR13 -0.93 dB -16.34 dB 24. Drive (7).wav DR9 -32.51 dB -45.10 dB 25. Shit Harvester.wav DR10 -10.12 dB -23.47 dB 26. Shit Harvester (2).wav DR13 -1.96 dB -15.58 dB 27. Shit Harvester (3).wav DR12 -2.22 dB -17.32 dB 28. Shit Harvester (4).wav DR13 -1.67 dB -15.91 dB 29. Shit Harvester (5).wav DR13 -1.69 dB -17.27 dB 30. Shit Harvester (6).wav DR12 -2.05 dB -20.08 dB 31. Shit Harvester (7).wav DR13 -1.44 dB -16.62 dB 32. Square.wav DR11 -2.28 dB -19.71 dB 33. Square (2).wav DR13 -1.86 dB -15.85 dB 34. Square (3).wav DR15 -0.54 dB -16.76 dB 35. Square (4).wav DR12 -2.73 dB -17.69 dB 36. I Love FF.wav DR14 -0.59 dB -15.80 dB 37. I Love FF (2).wav DR12 -2.17 dB -15.85 dB 38. I Love FF (3).wav DR13 -2.31 dB -15.85 dB 39. I Love FF (4).wav DR12 -3.04 dB -16.79 dB 40. I Love FF (5).wav DR13 -1.67 dB -18.40 dB 41. I Love FF (6).wav DR9 -21.05 dB -32.92 dB 42. Scoop.wav DR17 -3.98 dB -24.67 dB 43. Scoop (2).wav DR13 -0.57 dB -14.98 dB 44. Scoop (3).wav DR13 -0.55 dB -14.60 dB 45. Scoop (4).wav DR13 -0.57 dB -14.67 dB 46. Scoop (5).wav DR13 -0.47 dB -15.56 dB 47. Scoop (6).wav DR13 -0.72 dB -17.31 dB 48. Scoop (7).wav DR14 -2.67 dB -19.38 dB 49. Forward.wav DR13 -1.37 dB -15.98 dB 50. Forward (2).wav DR13 -0.55 dB -16.12 dB 51. Forward (3).wav DR13 -1.79 dB -15.42 dB 52. Forward (4).wav DR13 -2.60 dB -16.72 dB 53. Forward (5).wav DR13 -1.23 dB -16.84 dB 54. Forward (6).wav DR11 -0.74 dB -16.00 dB 55. E.wav DR9 -5.32 dB -17.12 dB 56. E (2).wav DR13 -0.31 dB -18.32 dB 57. E (3).wav DR17 -3.13 dB -25.15 dB 58. Myth.wav DR12 -0.47 dB -15.50 dB 59. Myth (2).wav DR13 -0.43 dB -15.31 dB 60. Myth (3).wav DR11 -2.54 dB -16.82 dB 61. Myth (4).wav DR9 -6.30 dB -17.85 dB 62. I Don't Like This Anymore.wav DR12 -0.40 dB -14.10 dB 63. I Don't Like This Anymore (2).wav DR12 -0.22 dB -15.18 dB 64. I Don't Like This Anymore (3).wav DR10 -0.64 dB -14.90 dB 65. I Don't Like This Anymore (4).wav DR10 -3.67 dB -17.73 dB 66. I Don't Like This Anymore (5).wav DR8 -12.61 dB -22.50 dB 67. Nordberg.wav DR12 -3.79 dB -18.76 dB 68. Nordberg (2).wav DR12 -3.27 dB -16.92 dB 69. Nordberg (3).wav DR15 -0.78 dB -18.38 dB 70. Nordberg (4).wav DR14 -0.91 dB -18.33 dB 71. Nordberg (5).wav DR16 -5.85 dB -24.08 dB 72. Moving Closer to the Source of Heat.wav DR13 -2.99 dB -18.26 dB 73. Moving Closer to the Source of Heat (2).wav DR13 -1.53 dB -17.45 dB 74. Moving Closer to the Source of Heat (3).wav DR14 -0.38 dB -17.20 dB 75. Moving Closer to the Source of Heat (4).wav DR12 -0.02 dB -14.97 dB 76. Cooper.wav DR12 over -15.82 dB 77. Cooper (2).wav DR11 over -15.06 dB 78. Cooper (3).wav DR9 -1.22 dB -12.03 dB 79. Cooper (4).wav DR9 -1.33 dB -13.35 dB 80. Cooper (5).wav DR11 over -16.92 dB 81. Cooper (6).wav DR13 -0.10 dB -17.79 dB 82. Cooper (7).wav DR11 over -15.14 dB 83. Cooper (8).wav DR9 -1.13 dB -13.84 dB 84. Cooper (9).wav DR18 over -20.44 dB 85. Cooper (10).wav DR15 over -23.94 dB 86. Cooper (11).wav DR9 -3.87 dB -25.63 dB 87. Cooper (12).wav DR11 -3.14 dB -19.69 dB 88. Cooper (13).wav DR14 -1.92 dB -23.26 dB 89. Cooper (14).wav DR12 -2.36 dB -22.10 dB 90. Cooper (15).wav DR14 -4.73 dB -23.96 dB 91. Cooper (16).wav DR15 -0.40 dB -21.08 dB 92. Cooper (17).wav DR11 -3.82 dB -19.86 dB 93. Cooper (18).wav DR13 -2.52 dB -18.71 dB 94. Cooper (19).wav DR12 -1.29 dB -17.83 dB 95. Cooper (20).wav DR12 -4.27 dB -21.54 dB 96. Cooper (21).wav DR14 -3.59 dB -22.84 dB 97. Cooper (22).wav DR12 -1.17 dB -15.86 dB 98. Cooper (23).wav DR16 over -20.19 dB 99. Cooper (24).wav ---------------------------------------------------------------------------------------------- Number of files: 98 Official DR value: DR12 ============================================================================================== |
| Algorithm | TT DR Offline Meter (or compatible) |